New Issue of the Jewish Quarterly Review: Summer 2022
JQR 112.3 is now available, online* and in print.
In this issue:
JQR 112.3 is now available, online* and in print.
In this issue:
JQR 112.2 is now available, online* and in print.
In this issue:
Working together with the Tanenbaum Center for Jewish Studies at the University of Toronto, the Memorial Foundation for Jewish Culture, Penn's Jewish Studies Program, and partners from other leading Jewish studies programs, the Katz Center has launched a small grant initiative to support colleagues in Jewish studies caught in the war in Ukraine.
The Katz Center is thrilled to announce the cohort for the 2022–23 academic year, engaging the theme of Jews and Modern Legal Culture. The fellows will join us from Israel, France, Germany, Canada, and the United States, and represent a range of methodological, disciplinary, and historical specializations.
JQR 112.1 is now available, online* and in print.
In this issue:
Simcha Gross and Avigail Manekin-Bamberger introduce Aramaic incantation bowls that draw on rabbinic and elite literary sources, forcing a reevaluation of the “popular” religion traditionally ascribed to the bowls.
JQR 111.4 is now available, online* and in print.
In this issue:
We are very saddened to report the passing of Professor Samuel Klausner, a founding member of Penn's Jewish Studies Program, a long-time participant in Katz Center activities who remained actively engaged in the Center until just before the onset of the pandemic and who, together with his spouse Professor Roberta Sands, created a fellowship that supported several scholars during the Katz Center fellowship year devoted to Jewish life in modern Islamic contexts. Professor Klausner was an exemplary social-scientist, and through his questions during the Center
Thanks to the extraordinary generosity and vision of Arnold and Deanne Kaplan, the Penn Libraries have acquired a pair of 18th-century oil portraits of Moses Michael Hays, arguably the most prominent Jewish merchant of the time, and his wife Rachel Myers Hays, the daughter of the outstanding colonial Jewish silversmith (Myer Myers). These paintings are attributed to Gilbert Stuart, renowned for his unfinished painting of George Washington, which appears on the one dollar bill!
Each year, the Katz Center offers a lineup of public programs to share the fruits of scholarly research with wider audiences. Open to everyone, these lectures feature current fellows along with colleagues from across the field talking about new and critical issues in Jewish studies.
JQR 111.3 is now available, online* and in print.
In this issue: