"Reading Bialik in Tehran"

The state of a nation’s press—its health or repression, its distance from or intimacy with organs of power—is a reliable bellwether of modernity. Newspapers routinely function as self-professed diagnosticians of culture and antidotes to its ills, even as they are themselves inescapably symptoms. In Daniel Amir’s essay in the summer issue of JQR, he looks at the explosion of press activity in Iran following the Allied occupation in 1941.

Borderless Space, Radical Belonging

“Any minute now the world streams over its border” (Ot-ot gist zikh shoyn iber di velt bizn rand). So writes Soviet Yiddish poet Peretz Markish, a single resonant line among the hundreds in his eighty-page poem The Man of Forty (Der fertsikyeriker man), which his wife smuggled out of Stalinist Russia in a potato sack in 1949. Had she not done so it would surely have been seized by Stalin’s agents, who were moments from arresting the dissident poet when she departed.